28,209 로열티 프리 오디오 트랙들 "Midi Files Of Rhythms And Percussion Music"에 대한

Midi file of BWV 600 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Op. 109, bars 1-4.

Midi file of BWV 635 from the Orgelbüchlein adapted from lilypond file on Mutopia

Dominant sevenths in Chopin's (1810–1849) Mazurka in F minor, op. 68, no. 4, m. 1-4.

Nederlands: Ludwig van Beethoven: Für Elise, Bagatelle nr. 25 WoO 59 (overgetikt) PD aangezien componist meer dan 70 dood is

Invention No. 8, BWV 779, by Johann Sebastian Bach

Ludwig van Beethoven: Bagatelle in A minor ("Für Elise"), WoO 59

Das Gebet einer Jungfrau, Op. 4 (Tekla Bądarzewska (1834–1861), 3:05) "A Maiden's Prayer", Op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05 minutes) « La prière d'une vierge », op. 4 (Tekla Bądarzewska (1834–1861), 3:05) Italiano: "La preghiera di una vergine", Op. 4 (Tekla Badarzewska (1834–1861), 3:05) Nederlands: "Het gebed voor een maagd", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) "Modlitwa dziewicy", op. 4 (Tekla Bądarzewska-Baranowska (1834–1861), 3:05) Română: "Rugăciunea unei fecioare", Op. 4 (Tekla Badarzewska (1834–1861), 3:05)

Svatou dobu již tu máme, traditional Christmas carol from Czechia

Malbrough s'en va-t-en guerre

Alle, die mit uns auf Kaperfahrt fahren

My Bonnie Is Over The Ocean

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Simple duple drum pattern: divides two beats into two. Created by Hyacinth (talk) 02:19, 20 July 2009 using Sibelius 5.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Blast beat drum pattern.

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Bob Dylan's "Lay, Lady, Lay" verse.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Chopin, op. 28 n. 6, bars 1-3, as quoted by Schenker.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 16th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 64th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 8th notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 32nd notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of whole notes. =60.

C triad open position.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of half notes. =60.

C major and E minor contrast through their respective notes C and B (in red and orange), each a half step apart or leading tones. The chords share two notes (in blue) however.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of double whole notes. =60.

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of 128th notes. =60.

Hippopotamus rhythm

7-36ZB heptachord on C

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quarter notes. =60.

Just augmented sixth on C. 225:128 = 976.54 cents.

Du holde Kunst

Komm, lieber Mai, und mache (KV 596)

Beginning of the adagio of Franz Schubert's piano fantasia D.760 Début de l'adagio de la fantaisie pour piano D.760 de Franz Schubert

*Twenty-third harmonic on C = F♯+. Just: 23/16 = 628.27 cents. Limit: 23-limit. MIDI pitch bend: 6,73

*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66

*Thirty fifth harmonic on C = D. Just: 35/32 = 155.14 cents. Equal-tempered: 23/24:1 = 150 cents. Limit: 7-limit. MIDI pitch bend: 83,81 on m2

*Hundred-fifty-fifth harmonic on C = D♯. Just: 155:128 = 331.35 cents. Limit: 31-limit. MIDI pitch bend: 4,74

*Hundred-ninety-fifth harmonic on C = G. Just: 195:128 = 728.80 cents. Limit: 13-limit. MIDI pitch bend: 27,73

19th harmonic minor triad on C. MIDI pitch bend matches intervals.

*Hundred-sixty-ninth harmonic on C = F♭. Just: 169:128 = 481.06 cents. Limit: 13-limit. MIDI pitch bend: 120,57 on P4

*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

*Just augmented fourth (45th harmonic) on C = F♯+. 45/32 = 590.22 cents. Limit: 5-limit. MIDI pitch bend: 112,60 Midi pitch bend on ~B 112,60 for 590.234375 cents rather than 600.

*Two-hundred-seventh harmonic on C = G♯+. Just: 207 : 128 = 832.18 cents. Limit: 23-limit. MIDI pitch bend: 38,74